In this episode, Maja talks about her research into human/dog/wolf co-evolution; the possibility to create a hybrid of the human and the dog species; her experiments with biologically manipulating her own body so that she could breast feed a puppy; taboos around the female body and more

Do Antennas Dream of Electric Skies? is a poster featuring a selection of GAN-generated images that depict post-industrial dystopian landscapes, each dominated by a central antenna-like structure. The training dataset comprised images of friendly blue-skied environments with an standard TV antenna at their center, which is in stark contrast with gloomy output of the model—perhaps akin to a machine’s dream of antennas.

This drawing machine uses the properties of crystalline structures as the drawing unit, and the dynamic staggered arrangement of controlled crystalline structures to create a miniature landscape, attempting to strike a balance between the properties of natural materials and human control, and to explore the natural order hidden in the natural materials.

We invite all those interested in interdisciplinary research and the field of art to submit a project related to the objectives and lines of research of the Mobile Communications Research Group (MCG) of the Institute of Telecommunications and Multimedia Applications (iTEAM) UPV.

An artist, performer and LGBTQ+ rights activist, La Chola Poblete explores themes such as the branching of the Inquisition, the heritage of colonization and the permeating influence of global capitalism

In this episode, the conversation goes from “Wouldn’t it be fun to have extra sexual organs?” to “Why wouldn’t a loving and cute robot be better at ruling over the lives of citizens than human high-ranking officials?”

Continuig their exploration of fate and chance using dice in their works, Life and Death of an Algorithm 2024 (33,782 White dice, evolutionary algorithm) by Troika is the latest (and largest) itteration of the work they produced–currently on display at Langen Foundation as apart of PINK NOISE exhibition presenting ambitious new installations by the the Franco-German trio.

Can everything – including vision, flexibility, imagination and other skills often associated with creative practices – be turned into data? Can you automate artistic processes and gestures? And how does socially applied AI enable a transition towards authoritarianism?

InterAccess is pleased to present the 23rd Annual IA Current Exhibition, DINNER AT THE AUTOMAT. Curated by Casper Sutton-Fosman and featuring the work of artists Lena Chen, Jenson Leonard, Alfred Muszynski, Sam Pelletier, and Shay Salehi, DINNER AT THE AUTOMAT explores the promises and failures of automation and artificial intelligence. Centering the obfuscated human labour…

Walkcast is a “storytelling engine” that generates a story based on where you are, where you go, and it keeps changing. It taps into the hidden details of your environment, revealing fascinating facts about the streets, landmarks, or history around you.

Beepscape for Walla is a simulation of a forest in nature, gathering the beep sounds of old mechanical devices. Each electronic light-sound device has a light sensor on the circuit, it makes the sound of a grass bug made of beep responding to hand-drawing animation projected by a projector.