Conceived as a reaction to police violence in the U.S.A., A Man Was Lynched by Police Yesterday bears a warning that travels uncomfortably easily through history and space

‘Étude on Painting’ is a series of works by Kynd that explore the process of creating digital painting tools. The process involves creating a variety of painting tools—code-driven patterns for brushwork and mark-making—then allowing these tools to generate images autonomously. The process of their creation and use is recorded as part of the piece.

A series of “Portrait” works by Seoul based artistic duo Shinseungback Kimyonghun. Their latest project Analytic Portrait, pictured here and featured (last) in the series of works that explore the representation (and computation) of human face through the use of computer algorithms (2012-2024+).

Not I explores the problematics at the heart of contemporary vocal forensics’ use of statistical learning techniques. The work develops a form of investigative aesthetics which seeks to open up the epistemic assumptions that ground the development of these socio-technical objects through a ‘counterculture’ of machine learning.

Massanari explores the ways that the far right uses memetic humor and geek masculinity as tools both to create a sense of community within these leaderless groups and to obfuscate their intentions

By means of two formulations – image and word – ‘Tempo e Tempo’ investigates the juxtaposition of time and weather to search for a world where many worlds are possible to fit in: a dreamlike time where past, present and future meet.

Adrián Balseca investigates the relationships between economy, ecology and memory, as well as the power dynamics linked to extractivism and the exploitation of nature

Brain Processing Unit explores the adaptation of artificial brain tissues alongside custom electronics to stimulate, analyze data, and develop the necessary APIs, networks, and other interface technologies required for these operations.

Rosetta is a narrative installation inspired by the ESA mission of the same name, told from the perspective of the probe itself. The text and custom graphic elaborations alternate on a vertical display whereas the soundtrack incorporates words from the story as punctuation. The entire system stays at the critical threshold of the Larsen effect, generating a sonic tension and spatialization that reflects the time and distances suggested by the tale itself.

Liminal Ring visualizes humanity’s obsession with controlling nature while exposing the limitations of such interventions. By introducing laminar flows—artificially directed streams—into naturally occurring turbulence, this project explores the boundary between certainty and uncertainty. It highlights the tension between the order imposed by human technology and the chaotic complexity inherent in natural systems.

This image-led history of global digital art from the 1960s to the present day links the digital art scene to wider art and design histories, and to their social, political and technological contexts

PXL DEX is a series of fully on-chain real time animations created by Kim Asendorf where each pixel is a token in itself. PXL DEX is the first artwork within the PXL ecosystem, an ongoing work series to experiment with pixels as utility tokens. The collection consists of 256 NFTs that are deployed via a custom Smart Contract on the Ethereum Mainnet.

A series of “Portrait” works by Seoul based artistic duo Shinseungback Kimyonghun. Their latest project Analytic Portrait, pictured here and featured (last) in the series of works that explore the representation (and computation) of human face through the use of computer algorithms (2012-2024+).

“Cloudscape,” is an immersive installation that explores the intersection of physical and digital environments. By combining generative AI visuals with fog machines, we created a cloud-like atmosphere that blurs the boundaries between reality and imagination.