Deadline: Deadline 26 August 2024, 24 h (CET)
Call for entries
Open Call “Spin doctors”
Organized suppression of the climate crisis. Actors and their construction kit.
Exhibition in Berlin 11.10. – 22.11.2024, Tue. and Fri., 5-8 p.m.
In a public call for entries, we are inviting international artists to submit contributions for the theme described below: “Eye wiper. Organized repression of the climate crisis. Actors and their construction kit” for a group exhibition in our exhibition spaces.
Cognitive scientists have developed a toolkit called PLURV to help identify disinformation and propaganda in relation to the climate crisis: Pseudo-experts, logical errors, unfulfillable expectations, cherry-picking and conspiracy myths are all identifying features. Let’s expose PLURV!
One actor that promotes the suppression of the climate crisis is, for example, the Springer press. Their publishing house is largely owned by fossil fuel investors. The AFD and so-called “lateral thinkers” are also helping to suppress them. Narratives can be “It’s always been hot in summer”, “That’s a good thing!”, “Yes, just the weather”, “Fear-mongering and scaremongering”, “He who believes will be saved”, “Belief in man-made climate change is a substitute for religion?”.
In Germany, the CDU and FDP parties are conducting a textbook delaying discourse: they have no proposals. It’s really not about political ideologies, it’s about defending fossil business models.
Displacement leads to aggression against, for example, meteorologists on TV who receive hate messages. You only believe what you want to believe. Researchers talk about dissonant information being devalued and consonant information being valorized. The fact that humanity is in the process of destroying the foundations of human life with its way of life generates unpleasant emotions: Feelings of guilt, fears, sadness about the squandered future, the inevitable suffering and death. Cognitive dissonance, that is. Pseudo-information that suggests everything is not so bad can have a relieving effect.
Disciplines: object, sculpture, installation, photography, painting, drawing, printmaking, video with credits given, sound is possible. A performative contribution such as a performance, VJ or similar to the vernissage, artist talk or finissage is desired.
International works: letters and videos from non-EU countries.
We offer exhibition space with equipment, bar, advertising by mail and div. Websites and social media and web and print flyers, organization of the work texts, the lecture, the documentation.
We do not charge a fee for applications, exhibitions etc. We are a free, self-organized project space and work on a voluntary basis. For sent works, we ask that senders include the return postage. Unfortunately, there is no budget for production, further technical equipment, transport and insurance (the room is technically secured). We expect good cooperation and agree on rules of cooperation: https://gg3.eu/en/agreement-with-exhibiting-artists-2/
Individual artists or existing artist groups can apply online with max. apply for three works.
The presence of regional artists is desired for the vernissage and the artist talk, as is the supervision of the exhibition.
Deadline 26.8.2024, 24 h
Acceptance or cancellation until 5.9.
Set-up 10.10., 15-19 h
Vernissage 11.10., 19 h
Exhibition duration 11.10. – 22.11.2024
Further information: https://gg3.eu/en/open-calls/open-call-eyewash/
Click here for the online application formhttps://gg3.eu/ausschreibungen/submission.php?call=10&lang=en
Jury: Team GG3, Curator: Tom Albrecht, Co-curator: Katja Hock
Address: Leuschnerdamm 19, D 10999 Berlin
https://gg3.eu/en/
Q and A for calls by GG3
Q: Is there a way to review my submission to confirm it was submitted correctly?
A: This is not necessary if the submission has been accepted in the system and you have received a confirmation e-mail.
Q: Would you recommend submitting only new artwork applications, and if so, will this affect my application?
A: No, it doesn’t matter. The decisive factors are the strong reference to the advertised theme and the artistic quality.
Q: I fail to upload the CV and show list.
A: Only pdf and doc formats are accepted, max. 10 MB, no docx or odt.
Q: Made a mistake, can I correct my application?
A:No problem, we correct for acceptances.
Q: How do I submit multiple works?
A: Close the first application and reopen the form.
Q: Is it possible to send you an application by e-mail?
A: Application by mail is not possible due to the work of the jury.
CYFEST è una realtà artistica e culturale nomade, viva e in continua espansione, fondata da un gruppo di artisti indipendenti nel 2007. Trova le sue radici nella sperimentazione e nella ricerca artistica, articolata nello sviluppo delle relazioni fra diversi media. I linguaggi legati alle New Media Art ed alle Nuove Tecnologie vengono fusi, ampliati, connessi dando vita a dimensioni percettive nuove.
CYFEST 15 si è svolto a Yerevan, Armenia e Miami, USA; oggi accolto negli spazi del CREA – Cantieri del Contemporaneo di Venezia, fino al 30 agosto 2024.
Il tema intorno al quale si sviluppa il festival è la vulnerabilità, sviscerata nella sua dimensione più profonda, legata all’essere umano e a tutto ciò che lo circonda, abbattendo i confini di specie, tempo e materia. Tale condizione che abita il nostro pianeta viene sviluppata in una chiave emancipatoria, dove attraverso la declinazione in linguaggi artistici differenti e complementari, diventa testamento della nostra più autentica esperienza.
I moderni spazi del CREA ospitano un programma vasto, che si articola in vari formati, comprendendo installazioni, performance e talk. Tra le principali opere figura il progetto multidisciplinare Drop Tracer, che esplora le dinamiche degli agenti non umani e la relazione tra immagini e mondo naturale, realizzato da Tuula Närhinen. Le pelli generate dalla fermentazione da batteri danno vita ad un un’opera di Ann Marie Maes, la quale esplora il potenziale scultoreo dei materiali organici e le interfacce tra umano e non umano, così come tra il microscopico e il macroscopico. Il collettivo Where Dogs Run, pionieri nella sperimentazione e nella ricerca artistica legata alla New Media Art, analizza i concetti dei set di Mandelbrot mediante modelli di maglieria sviluppati in una performance dal vivo.
Mariateresa Sartori, con l’uso della tecnica del frottage, mette in evidenza una geologia sub-urbana, nascosta all’occhio, indagata nei suoi aspetti materici vivi, facendo luce sulla poco conosciuta storia della cava di Rosà, nel vicentino. L’installazione multimediale di Elena Gubanova e Ivan Govorkov analizza e sviluppa il concetto di «densità temporale» elaborato dall’astronomo sovietico Nikolai Kozyrev. La mostra presenta anche i rari monotipi «Re-Pressions» dell’acclamato artista armeno Samvel Baghdasaryan (1956-2017), opere sperimentali di videoarte di Fabrizio Plessi, sculture gonfiabili in tessuto di Irina Korina, e oggetti architettonici e urbanistici realizzati con LED riciclati di Alexandra Dementieva. Inoltre, una nuova installazione di Anna Frants e molte altre opere arricchiscono l’esposizione.
immagini: (tutte) CYFEST 15 – Vulnerability, Installation View, CREA — One Contemporary Art Space, 2024. Photo Edith Bunimovich
L'articolo CYFEST a Venezia proviene da Arshake.
Tempo fa, il PAN – Palazzo delle Arti a Napoli, aveva annunciato la sua riapertura e indirizzo di programma con la sua struttura complementare nel Metaverso, il Metapan, e attraverso le progettualità di quattro artisti che rappresentano le diverse direzioni progettuali della programmazione futura, Bianco-Valente, Aureia Harvey, Chiara Passa, Quayola. Le installazioni virtuali sono accompagnate ora da una serie di lezioni per un ciclo di Masterclass aperte al pubblico (online) in corso di svolgimento da aprile a luglio 2024 con sei lezioni indirizzate a giovani laureati di diversi atenei italiani e di diversa formazione e con la partecipazione di alcuni tra i più importanti docenti ed esperti di arte e new media di rilievo nazionale ed internazionale – Francesco Spampinato, Professore di Storia dell’arte contemporanea, Università Alma Master Studiorum di Bologna; Andrea Pinotti, Professore di Estetica, Università Statale di Milano; Ruggero Eugeni, Professore di Semiotica dei media, Università Cattolica del Sacro Cuore di Milano; Elisabetta Modena, Ricercatrice in Storia dell’arte contemporanea, Università di Pavia.
Dopo aver incontrato Vincenzo Trione e Maria Grazia Mattei il 30 aprile e Francesco Spampinato il 9 maggio, il 23 maggio, ad incontrare studenti e pubblico saranno gli artisti invitati ad inaugurare lo spazio virtuale con le loro installazioni e approcci creativi, Bianco-Valente, Aureia Harvey, Chiara Passa, Quayola.
L'articolo MetaPan. Masterclass nel Metaverso proviene da Arshake.
Deadline: 20 May 2024
Call for entries
(re)imagining Marco Polo’s journey by CIFRA & Art Night Venezia
CIFRA, a curated streaming platform for new media art, launches an open call celebrating Marco Polo’s figure and journey. Regarded as one of the pioneers in building bridges between East and West, we should not forget the influence of his travels and travelogues on the state of the world we live in, with European colonial expansion and capitalist globalization.
We are interested in new media artists’ existing works / projects.
As part of the open call, three artists will receive the CIFRA Award of 1500 EUR for producing a new work. The CIFRA Award will include three nominations: “Bridging East and West, North and South”, “New Ways of Seeing”, and “(Re)thinking the Media”.
The shortlisted works will be shown during Art Night Venezia, which will take place on 22 June 2024.
The works will be selected by a jury composed of Menene Gras Balaguer (art critic, philosopher, director of culture and exhibitions at Casa Asia), Alessandra Bergamaschi (Italian-Brazilian researcher and curator), Zairong Xiang (curator, author, art educator).
Read more: https://share-eu1.hsforms.com/1JHNUlZ15SjSKgZBpKW0V_Q2d9nbb
The shortlisted works will be presented during Art Night Venezia on June 22 at the Auditorium Santa Margherita, a historic 9th-century building now used as a theatre.
Application Deadline: May 20, 2024
Shortlist Announcement: June 3, 2024
Winners Announcement: June 22, 2024
Application form: https://share-eu1.hsforms.com/1JHNUlZ15SjSKgZBpKW0V_Q2d9nbb 
Deadline: 2 April 2024
Call for entries
INTERNATIONAL OPEN CALL FOR ARTISTS
INTERNATIONAL FESTIVAL OF THEATER, ART AND NEW TECHNOLOGIES
“THE WONDERS OF THE POSSIBLE†Cagliari (ITALY) –XI° Edition 2024
Between NOVEMBER and DECEMBER 2024, the 11th edition of the International Festival of Theater Art and New Technologies “The Wonders of the Possible” will be held in Cagliari at the DOMOSC Space.
The LMDP Festival supports the development and experimentation of new creative, theatrical and artistic languages through new technologies, with the programming of shows, performances, installations, workshops, and conferences.
Kyber Teatro, a spin-off of L’Aquilone di Viviana, the creator and organizer of the LMDP Festival, promotes international encounters between artists, scientists and technological researchers and the contamination between the arts, offering all Italian and foreign artists and performers, including emerging and/or under-35 companies, the opportunity -to participate in the Festival by sending their project by April 2, 2024
Focus: theater and new technologies 2024-LMDP11 #Scene Immersive
Addressed to:
• Companies, Individual Artists
• Companies/Artists emerging or/and under 35.
• Companies/Non-emerging artists of all ages (we encourage applications from artists at any stage of their careers).
Maximum 3 participants per project.
Eligible Projects:
• Theater and new technology performances
• Performances of art and new technologies
Selection Process: DEADLINE APRIL 2, 2024.
Artists interested in participating in the Festival should email info@kyberteatro.it the following materials:
– Artists/Company CV;
– Location of departure of each artist and technical staff of the company;
– Presentation dossier in PDF format;
– Technical sheet;
– A selection of up to 5 photographs;
– Link to the integral audio and video material to be made available on Vimeo or Youtube;
The outcome of the evaluation will be communicated to those selected only by May 6, 2024.
Economic conditions
Open Call winners will be guaranteed full coverage of mobility costs (travel to Cagliari, food and lodging). The organizing Company will communicate to the winning artists the travel itinerary and other useful information for hospitality. In addition, a small reimbursement of expenses will be guaranteed for the presentation of No. 2 replicas of their show/performance. If possible and by prior arrangement with our technical manager, any materials required for the presentation of the performance/show/installation will also be covered.
Publication and archiving
Artists agree to provide a brief biography and synopsis of the work and agree that the material may be published on the LMDP Festival website and social media or given to the press for promotional purposes.
Permission is given for Kyber Teatro – L’Aquilone di Viviana to archive the material and make it accessible via the Festival website. All rights to the project images will remain with the artist. The Organization is also authorized to document through audio video recordings or images the unfolding of the event at every stage.
Terms of participation
Applications and materials must be sent by APRIL 2, 2024
to the email address: info@kyberteatro.it
Kyber Teatro – Spin off Soc. Coop.
Lâ€
Aquilone di Viviana
C/O Spazio OSC, via Newton 12, Cagliari
Phone – Fax: + 39 070 86 07 175
Mob: +39 346/ 6267735
Mail: info@kyberteatro.it
Website: http://www.kyberteatro.it
Deadline: Feb 10th, 2024
Call for entries
FILE 2024 – Call for Entries
July 3rd to August 25th, 2024
Sao Paulo, Brazil
Registration to participate in FILE – International Electronic Language Festival projects in 2024 is now open. The festival seeks original works of art and educational projects (lectures and workshops) in Art and Technology, by Brazilian and international artists. Registration remains open until February 10th .
FILE is a non-profit cultural organization that has propagated creation and experimentation in Art and Technology through exhibitions, events and publications over 23 years. This call opens up the opportunity to participate in the 23rd. Edition of the International Electronic Language Festival, which is scheduled to take place at the FIESP Cultural Center, in Sao Paulo. The selected projects will also be able to collaborate in parallel events in different states in Brazil.
Using the registration form, it is possible to send proposals for interactive installations, sound art, video art, robotics, animations, CGI videos, virtual realities, augmented realities, mobile art, games, gifs, internet art, lectures and workshops, among others . To participate in the LED SHOW program, exhibited annually at the FIESP Digital Art Gallery, register using the form in accordance with the rules established in the regulations. Sign up!
Access the registration form.
Mo entry fee!
Contact adresses/URL
https://file.org.br/highlight/file-2024-call-for-entries/
Deadline: 29 February 2024, 24h
Call for Entries
Open Call- “Wash my fur, but don’t make me wet”
Climate protection with displacement. Wash my fur, but don’t get me wet.
64th exhibition of GG3 3.5.2024 – 14.6.2024 Berlin
The majority of society wants climate protection, but does not want to change. It becomes nervous, susceptible to fossil lobby campaigns, superstitions and right-wing influences.
People are in favor of doing something about man-made global warming, but they still want to fly on vacation. One denies one’s own fossil addiction. The other countries, the politicians, should take action against the climate crisis. People don’t want to see their own responsibility as voters for political parties and as consumers of flights, cars and goods who cause CO2‚ emissions. Of course, something should change, just not in your own life. Science calls this behavior cognitive dissonance.
The artworks in the gallery and front garden are intended to refer to the generic term “displacement of man-made global warming, outside to the displacement of specific problems of the locations:
1. park path at the Waldemar bridge: Cyclists and scooter riders displace the driving ban in the park
2. park path south of the lake: the greenery on the walls is being damaged for graffiti. The sprayers suppress the importance of the climbing greenery for people.
3rd, 4th sidewalks near the stairs into the park: Litter is dumped or thrown down. The actors suppress the fact that the litter usually disturbs pedestrians and residents.
5th lake: The lake is over-fertilized due to the prohibited feeding of aquatic animals. The feeders suppress the adverse effects on animals, water quality and the plants of the lake.
Plan of the exhibition
6. and 7. works to suppress man-made global warming.
Exhibition in the gallery and front garden: Tuesdays and Fridays 5-8 p.m., on the sidewalk, in the park and on the lake two days each 4-6 p.m.
Deadline 29.2.2024, 24 oâ€clock
In a public call for entries, we invite artists to submit contributions for a group exhibition in our exhibition rooms and outside according to our criteria for the theme described above.
Disciplines: object, sculpture, installation, photo, painting, drawing, printmaking, video with credits, sound is possible. A performative contribution such as a performance, VJ or similar to the vernissage, artist talk or finissage is desired.
We offer exhibition space with equipment, bar, advertising by mail and div. Websites and social media and web and print flyers, organization of the work texts, the lecture, the documentation.
We do not charge a fee for applications, exhibitions etc. We are a free, self-organized project space and work on a voluntary basis.
Works: Only letters and videos from non-EU countries, no parcels. For sent works, we ask that senders include the return postage.
Unfortunately, there is no budget for production, additional technical equipment, transportation and insurance – the room is technically secured. We expect good cooperation and agree on rules of cooperation,
Individual artists or existing artist groups can apply online with max. apply for three works. Works in Park 1-5 must be supervised by the artists.
Attendance for regional artists is desired for vernissage and the artist talk, as well as attendance at a date of the exhibition.
GG3 is showing the exhibition inside the gallery and outside in the front garden, on the sidewalk, in the park and on the lake. GG3 applies for approval from the Mitte district of Berlin.
Click here for the online application form
https://gg3.eu/ausschreibungen/submission.php?call=8&lang=en
Jury Team GG3: Tom Albrecht, Stephan Gross, Maria Korporal, Mina Mohseni,
Curator : Tom Albrecht
Address: Leuschnerdamm 19, D 10999 Berlin
Q and A for calls by GG3
Q: Is there a way to review my submission to confirm it was submitted correctly?
A: This is not necessary if the submission has been accepted and you have received a confirmation email.
Q: Would you recommend submitting only new artwork applications, and if so, will this affect my application?
A: No, it doesn’t matter. The decisive factors are the strong reference to the advertised theme and the artistic quality.
Q: I fail to upload the CV and show list.
A: Only pdf and doc formats are accepted, max. 10 MB. No docx or odt!
Q: Made a mistake, can I correct my application?
A: No problem, we correct for acceptances.
Q: How do I submit multiple works?
A: Close the first application and reopen the form.
Q: Is it possible to send you an application by email?
A: Application by mail is not possible due to the work of the jury.
Climate protection with repression. Wash my fur, but don’t get me wet.
Buschhaus (C) T.A. Exhibition
Bush house (C) T.A.
64th exhibition in Gallery and Park 3.5. – 14.6.2024
Exhibition
in gallery: Tuesdays and Fridays 5-8 p.m., in the park Fri., 24.5., 4-6 p.m. and Fri., 14.6., 4-6 p.m.
The artworks in the gallery and front garden are intended to refer to the generic term “repression of man-made global warming”, outside to the repression of specific problems of the locations in the park.
The majority of society wants climate protection, but does not want to change. It becomes nervous, susceptible to fossil lobby campaigns, superstitions and right-wing influences.
People are in favor of doing something about man-made global warming, but they still want to fly on vacation. You deny your own fossil addiction. The other countries, the politicians, should take action against the climate crisis. People donâ€t want to see their own responsibility as voters for political parties and as consumers of flights, cars and goods who cause COâ‚‚ emissions. Of course, something should change, just not in your own life. Science calls this behavior cognitive dissonance.
Gallery
The works in the gallery and front garden refer to the generic term “repression of man-made global warming”. Locations 6. and 7. in the plan.
Park
Works refer to the displacement of problems in the park. Dates in the park Fri, 5/24, 4-6pm and Fri, 6/14, 4-6pm. Locations:
1st park path at the Waldemar Bridge: Cyclists and scooter riders displace the driving ban in the park.
2. park path south of the lake: the greenery on the walls is being damaged for graffiti. The sprayers suppress the importance of the climbing greenery for people.
3rd, 4th sidewalks near the stairs into the park: Litter is dumped or thrown down. The actors repress fact that the litter usually disturbs pedestrians and residents.
5th lake: The lake is over-fertilized due to the prohibited feeding of aquatic animals. The feeders suppress the adverse effects on animals, water quality and the plants of the lake.
Deadline: 3 January 2021
a.topos Venice is pleased to present THE CREATIVE ROOM, an original initiative created by the Curatorial Collective to promote emerging creatives, following the CC’s commitment to enhance their visibility by providing an exhibition space to selected artists in the venetian contemporary art scene.
In this OPEN CALL first edition, we are inviting participants to send proposals that address a challenge imposed by the exceptional reality of lockdown and social distancing during the COVID-19 pandemic: How to recreate oneself? Exercising the gaze towards the outside? Repositioning self as subject/object? Share your artwork with us so that we can convert our gallery in an extension of your own CREATIVE ROOM.
Entry fee:
20€
Prizes / Awards:
2 exhibitions
Details:
https://atoposvenice.com/thecreativeroom
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